Showing posts with label The Enemy Within. Show all posts
Showing posts with label The Enemy Within. Show all posts

Friday, April 6, 2007

Enemy Outtakes/Music Clip

OUTTAKES

Episode two: scene fifteen. The Doctor is explaining things to the family in the drawing room.

MAURICE
So what is this thing you say attacked you outside?

PERI
Well, it’s uh... Over to you, Doctor.

The Doctor leans against the mantelpiece.

DOCTOR
I believe that it is a plasmaton.

He accidentally knocks a clock off the mantel and it falls to the ground. He blinks and looks at it. The others laugh.

MAURICE
Do you?

DOCTOR
Oh yes. I do believe that.

----

Episode four: scene three. Peri holds off the family with a knife.

PERI
No one tells me what to do, Colonel. Now I have a very sharp knife – maybe the one that did in that poor fox. You guys are unarmed, because, in case you’re out of bullets, you were too busy being possessed by the devil to notice. Now – hang on, that’s wrong isn’t it? Sorry! Sorry... got that the wrong way round. Sorry.

----

Episode one: scene thirty. Maurice sees the ghost.

THEODORE
There, you see.

MAURICE
It WAS a bit blurry, I admit, but it was right here!

THEODORE
Just shadows. The curtains. Look.

Theo tugs at the curtains, pulling them down off the rail. Theo and Maurice exchange bleak looks.

THEODORE
Oops.

Stage hands move in to replace the curtains.

MAURICE
Ah, it’s just poltergeist activity.

----

Episode two: scene nine. The Doctor, Peri and Tracey are chased inside the house.

PERI
It’s right behind us!

They turn and run up the steps towards the house.

TRACEY
The door’s locked! Whoa!

The others barrel into each other and the manifestly unlocked door swings open and the trio fall through. Peri sits up.

PERI
That was lucky, wasn’t it?

GRAHAM HARPER (VO)
OK, cut.

----

Episode three: scene twelve. The Master torments Emily.

MASTER
I have turned back death. I have seen beyond the mortal coil.

EMILY
What did you see?

A long pause.

MASTER
I forget.

----

Episode one, scene twenty three. In the saloon, Daniel and the Doctor talk.

Daniel, his expression blank, begins to open his mouth and carefully forms words. Not carefully enough. The words are out of synch.

THE MASTER (VO)
I am... the one God... the Father of the Almighty Maker... of Heaven and Earth...

Daniel shakes his head and laughs. The voice can still be heard.

THE MASTER (VO)
... of all that is seen... and –

It ends with an “off the record” type noise. The Doctor shrugs.

----

Episode four: scene three, take two. Peri holds off the family with a knife.

PASCOE
Satan! I'll kill you first! Satan, take her!

He charges Peri, who steps aside. Pascoe crashes into the banister, and his front half falls over it. He goes no further.

PERI
And that’s...

She notices Pascoe hasn’t flipped over. She giggles and shoves him. He doesn’t move.

PERI
He’s stuck!

PASCOE (VO)
Sorry!

----

Episode three, scene four: Peri’s dream.

DOCTOR
What's your name?

THE VOICE
Ras... sil... on.

DOCTOR
“Rassilon”? Don't be ridiculous!

The green light bulb blows. A long pause.

DOCTOR (VO)
Hello darkness, my old friend...

----

Episode two: scene nine, take two. The Doctor, Peri and Tracey are chased inside the house.

PERI
It’s right behind us!

They turn and run up the steps towards the house.

TRACEY
The door’s locked!

The Doctor starts searching through his pockets.

TRACEY
Pascoe! PASCOE! LET US IN!

She bangs on the door. The Doctor still searches his pockets.

DOCTOR
Sorry, I forget the bloody prop.

Peri laughs.

PERI
Yeah, sure, take your time. It’s not urgent.

TRACEY
Yeah, no pressure.

DOCTOR
Oh hah, hah.

----

Episode four: scene forty-five. The Doctor and the Master in the Beyond.

DOCTOR
One last kiss. You know you’ve always wanted to.

MASTER
My dear Doctor. Are you trying to seduce me?

DOCTOR
Yes! It must be all the black leather!

The Master breaks up laughing. The Doctor looks to camera, sadly.

DOCTOR
I was only looking for love.

----

Episode two, scene four: the monster moves out of the swamp.

The creature is moving down the path through the trees. It is totally silent as it moves over shrugs and past thickets. It is heading in a straight direction, not slowing for anything. It comes across the low branch that blocks its way... and smacks into it, falling on its back and staring up at the sky.

STAGEHAND (vo)
Aw, shit!

----

Episode three: scene twelve, take two. The Master torments Emily.

MASTER
I have seen beyond the mortal coil.

EMILY
What did you see?

Beat.

MASTER
A world... without shrimp.

Emily giggles.

EMILY
Is that all?

MASTER
Isn’t that enough?!

----

Episode one, scene twelve: the Doctor and Peri find the fox.

PERI
God, what is that smell?

DOCTOR
Smell? Oh that? It’s...

He slips and falls over.

DOCTOR
Well, whatever it is I’m lying in it...

Peri laughs and helps him up.

----

Episode two: scene twenty-five. The family see Theo out a window.

EMILY
Theo is out there.

MAURICE
Your point being? The last time someone went outside they, they, they, they, they, they, they did something very bad! Very bad! So let us say no more!

PERI
Until we learn our lines.

MAURICE
Yes, definitely!

He sobs and holds his face in his hands. Emily pats his shoulder.

----

Episode four: scene three, take three. Peri holds off the family with a knife.

Pascoe charges Peri, who steps aside. Pascoe crashes into the banister, which collapses under his weight and he falls to the ground. Peri laughs.

PERI
And that’s... that’s one nil to the girl from Baltimore...

The others keep laughing. Peri joins in.

---

Episode three: scene five. The Master attacks Maurice.

MASTER
You are only useful for the nourishment you provide, shrimp.

MAURICE
Keep away from me! I'M NOT A SHRIMP!

MASTER
I am my own Master. And my hunger for shrimp needs to be sated.

MAURICE
NO! Get away!

The Master looms over him. Tears are streaming down Maurice’s face.

MAURICE
Please! PLEASE! I'M NO SHRIMP! NOOOOOOO0000000!

----

Episode four, scene sixteen: the Doctor and Peri are trapped.

The Doctor reaches the door and pulls out his sonic screwdriver. It’s bent in half. The Doctor bites his lips and mouths “sorry” to camera.

----

Episode two, scene thrity-seven: the Ghosts discuss what they saw.

SECOND GHOST
It’s a primitive planet, you said so yourself.

FIRST GHOST
Those people have invaded it. They aren’t primitive.

SECOND GHOST
Compared to us, they are.

FIRST GHOST
We should have stopped them!

SECOND GHOST
How?

A beat.

SECOND GHOST
Well?

FIRST GHOST
You’ve got another line.

SECOND GHOST
I was afraid you’d say that.

They laugh.

FIRST GHOST
Shrimp.

-------------------

The Enemy Within XVI

35. INT. SALOON (NIGHT)

The Doctor is talking to Peri while the Master watches on.

DOCTOR
Don’t worry. Neural bleedback. The Master is diluted with Daniel... and myself. Enough sanity mixed in with him to make him... less psychotically unpredictable. You will be all right. Promise.

PERI
What am I supposed to say? Send me a postcard? Don’t forget to write?

DOCTOR
I thought you hated pen pals?

PERI
I do. It’s just... I’ll miss you.

DOCTOR
Oh, I have absolute faith in your ability to survive, Peri.

PERI
You don’t have to do this!

DOCTOR
Yes. I do. Now, don’t grieve for me, Peri. You’ve got your own life to live now, you don’t need to worry about me any more. You can find your own way. Without me.

MASTER
Very touching. Are you finished?

The Doctor glares at the Master, and crosses over to him.

DOCTOR
Would it matter if I were?

MASTER
Perhaps we shall meet again, Doctor.

DOCTOR
Perhaps we shall. But I doubt it.

MASTER
I can feel your fear Doctor. I like that.

DOCTOR
Enjoy it while you can.

MASTER
Do you know what you’ll see when you die, Doctor? You won’t need your eyes to see absolute and eternal nothing, it’s more than your mind could truly fathom. Writhing, crucified bodies without sentience, devouring each other with bloody grins. A red, bloated and dying sun in the most alien sky I have ever known, turning the other planets black. Beneath it a sluggish sea of black oil from which dead hands clawed out of the fluid to grab the gas eddies above. That’s all I managed to perceive, the first few seconds of Hell, before it became too much for me... And me, a Time Lord!

DOCTOR
You stopped being a Time Lord long ago. Get it over with.

MASTER
The one thing you don’t lack, Doctor is courage. You can trust these primitives. They have such uncertainties in themselves, but you have certainty in them. The universe is full of chaos but you still trust that somehow things will work out in the end. You think freedom allows us to make the right decisions.

DOCTOR
You sound almost envious.

MASTER
How could I be anything else but envious? Even though you treasure what I despise.

The Doctor rolls his eyes.

DOCTOR
You’re getting one last chance, Master. You shouldn’t waste it on your selfish ambition. And don’t waste any more lives in murder or destruction.

MASTER
There will always be death in this reality. There will always be lives wasted, hearts broken, tragedy... even you, Doctor, should be aware of that.

DOCTOR
I am. But you deliberately add to it. You don’t have to.

MASTER
Oh, Doctor, you will be beyond caring what I do with my new life.

DOCTOR
Perhaps. But change is inevitable, Master. You can’t go on like this forever, killing and destroying. One day, even if I’m gone, one day, you will be stopped. For good.

MASTER
I will bear that in mind. Any last words, Doctor?

The Doctor shrugs.

DOCTOR
It is a far, far better thing I do now than I have ever done. It is a far, far better rest I go to than I have never known...

MASTER
I would say I would miss you, Doctor. But we both know that’s not true.

The Doctor closes his eyes. The Master explodes into a blast of energy that fills the room. Lightning seems to flicker and pulse. The Doctor’s head lolls, eyes wide. Everything shimmers and blurs. Fragments of time snap into focus and then blur. It’s all happening too fast to make sense.

FIFTH DOCTOR
I’m sorry I got you into this, Peri.

PERI
You can’t leave me now!

FIFTH DOCTOR
Might regenerate... feels different... this... this...

DOCTOR
You ignorant harpy! You and your poisons, you’re trying to kill me! Let the poison straight into my head? Well, not this time! How do you like THAT, assassin?

MESTOR
I can see into your hearts, Time Lord.

DOCTOR
You will stay, won’t you?

PERI
Well, it’s either this or study for the next three months...

CYBER CONTROLLER
You seem to take a great deal of satisfaction in insulting us, Doctor. Curious behavior.

DOCTOR
Oh, well-spotted, Lt Brown! Glad I've got you on hand for a navigator!

PERI
What sort of vermin are you?

SIL
Vermin who will with much joy your deathing throes watch, my dearest!

DOCTOR
Well, well, well, the Rani.

RANI
The Time Lords would never permit it.

DOCTOR
Who said anything about involving them?

PERI
I had a bad dream. Nothing important.

We dissolve to the next scene:


36. THE BEYOND

The Doctor (in the same position, as if the surroundings have changed) is looking down the corridor at the building glow. His voice echoes. He sounds more and more delighted.

DOCTOR
Displaced... Dislodged... On a different angle from known experience... So numb... Goodnight sweet prince! Everything’s... pulsing... my head... body... pulsing louder and louder! The air’s humming! Beauty dominates the mind! The exquisite subtlety of swimming! Bouyant! Jubilant! Solidness in what is not solid! The world is made of spun silk! I can see the curve upon the horizon! Gravity’s condemnation turns to adoration!

He giggles as the light gradually blots him out. His voice is distorting, coming from far off, getting fainter and fainter.

DOCTOR
There is a conclusion after all! Falling and singing! Time and space are unabated, inexhaustible, never stretching towards eternity! Matter sucked into the brooding ego! Every concept bolted down! All art ends as a universe under construction! It all makes sense now! Hah! You hear that, Peri? IT ALL MAKES –

Whiteness.


37. INT. SALOON (NIGHT)

The lightning flickers and clears to show the Doctor in the same position. There is quiet enough to hear the clocks have started ticking again. Peri lowers her hands.

PERI
He... Is he...?

The “Doctor” grins at her.

“DOCTOR”
Gone? Of course he is. It is not a cheerful place to die, but death is never cheerful. But he has left you sorely unprotected, left you to taste my anger and my frustration from all the years of being thwarted. How mean of him. Now. Beg for you life, my dear. Perhaps I’ll spare you if you humor my whims. After all, you didn’t think I would forget about you? Leaving me alone with the Doctor? Letting me die?

He picks up Pascoe’s knife. The sonic screwdriver’s beeping is getting louder.

“DOCTOR”
I wonder how much blood I can take before you die? The Doctor can’t save you this time. In all the universe that you were SO determined to save he didn’t matter, and neither do you. He left you to die.

Peri does not move, struggling to stay defiant as the knife moves towards her throat. The bleeping of the screwdriver is now louder and faster.

“DOCTOR”
Hide your fear all you like, the Doctor’s parting gift shows the truth.

With a laugh, the “Doctor” throws the knife into the wall. The bleeping starts to slow.

“DOCTOR”
Just testing, Miss Brown. The Doctor’s failsafe is what he claimed. I cannot harm you and leave this point in time or space.

He pauses as he spies his reflection in the mirror.

“DOCTOR”
Hmmmm. Could be worse. Such a common face. Not enough aristocracy, but it will serve.

He turns back to face Peri.

“DOCTOR”
Look around, Miss Brown. Take your last look at this wretched hole these animals call home. Do as I say and look at it.

Peri looks around.

PERI
Why?

“DOCTOR”
Because we are leaving.

PERI
We?

“DOCTOR”
You can stay here, of course, but consider the fact you are on the wrong side of the planet - and the wrong side of six decades – to your native time and place. How exactly did you intend to return home without my help?

PERI
You’d do that? Why?

The “Doctor” smiles.

“DOCTOR”
To prove a point. I require the Doctor’s fourth-rate transport to collect my own TARDIS. I am prepared to let you use it next, on a one way trip home.

PERI
How can I know I can trust you?

“DOCTOR”
How indeed?

PERI
You tell me.

“DOCTOR”
You could always stay here. After all, you are in the unique position of knowing when the next world war will break out, and should you survive that, you might live long enough to be a geriatric your family will pass on Miami Beach. That WOULD be ironic, wouldn’t it?

The “Doctor’s” smile fades.

“DOCTOR”
Make your choice.

He turns and leaves.

“DOCTOR”
Sweet dreams are made of these
Who am I to disagree?

Peri looks down at the sprawled, twitching humans. She bends by Maurice, who seems caught in some terrible nightmare.

PERI
I - I’m sorry. I gotta go. I can’t stay, I mean, I want to. I’m sorry. I hope he wasn’t lying, and you’ll come out of this.

She strokes his cheek – the one she kept slapping.

PERI
Please be all right.

She turns and sprints out. None of the others register her leaving.


38. INT. HALLWAY (NIGHT)

The front door is wide open. Peri pauses, looking around the empty place for a moment before running out the front door.


39. EXT. OUTSIDE THE MANOR (NIGHT)

The “Doctor” strides out of the manor and across the gravel towards the edge of the woods. Peri hurries from the house, trying to keep up.

PERI
Wait a minute!

The “Doctor” does not slow down.

PERI
What about that monster out there?

The “Doctor” laughs.

“DOCTOR”
The monster? Miss Brown, the monster is not out here.

He taps his forehead, amused.

“DOCTOR”
It’s in here.

PERI
Yeah, well, that’s a pity, he could have carried us over the river. You smashed the bridge, remember?

“DOCTOR”
There are other paths to take.

They move off into the gloom.


40. EXT. WOODS (NIGHT)

The “Doctor” moves gracefully through the trees and bracken, knowing exactly where he is going. Peri follows with more difficulty.

PERI
I don’t suppose you’ve got a spare torch? It’d be nice to see where we’re going?

“DOCTOR”
Why should I make up for your imperfect eyesight?

They avoid one of the trees the creature overturned.

PERI
How much further?

“DOCTOR”
Patience is a virtue, Miss Brown – but I appreciate the time wasted means more to you. Humans have such limited little lives. A blink of an eye to me would no doubt be the best years of your life.

PERI
Yeah. The best years of my life didn’t include you in them.

“DOCTOR”
And the Doctor? Was he included?

PERI
Yeah. He was.


41. INT. TARDIS CONTROL ROOM (NIGHT)

It is light by an unearthly green light. The room is festooned with cobwebs. The Second Ghost leans over the console, as if too tired to straighten up from the readouts. The First Ghost stands in the shadows.

FIRST GHOST
Guilty conscience?

No reply.

FIRST GHOST
You haven’t forgotten about me ALREADY, have you?

SECOND GHOST
You no longer matter, Doctor.

FIRST GHOST
Oh, come on, do you really expect me to believe that? After all we’ve been through? ... Maybe you’re right. You’re just another enemy, Master. I’ve had more than my share of them. It’s not worth caring about.

SECOND GHOST
Such witty banter...

Amused, the Second Ghost straightens up and crosses over to the First Ghost.

SECOND GHOST
You never used your real name, did you?

FIRST GHOST
It’s difficult to pronounce. Even by Gallifreyan standards. The thirty-eighth syllable is the trickiest of the lot.

SECOND GHOST
But that was not the only reason.

FIRST GHOST
I couldn’t go round the universe using that name. The Time Lords would have noticed it. The bunch of stuffed shirts who don’t even know what millennia they were watching. They were looking for the obvious. Its one of the reasons us renegades give up our names. It’s expediency as much as...

SECOND GHOST
Tabula rasa?

FIRST GHOST
Precisely.

SECOND GHOST
So. The fact your real name is hated and feared on so many worlds had nothing to do with it, then?

FIRST GHOST
Whereas “Master” conjures up all sorts of pleasant thoughts, doesn’t it?

SECOND GHOST
Did you tell Miss Brown of your checkered past?

FIRST GHOST
A little.

SECOND GHOST
A select biography, no doubt.

FIRST GHOST
The last time we met you tricked primitive people into shooting down unarmed hostages. I don’t exactly rate your morality a high standard.

SECOND GHOST
All those grand gestures. Saving worlds and cultures and societies... almost as though you were trying to make amends for something. Penance, perhaps, for ancient sins? And you always surrounded yourself with these passionate and innocent companions. Keeping innocence so close to you, as if almost filling a void in your spirit?

FIRST GHOST
What gobbledygook are you sprouting now? You know who I am. And what I’ve done. You were there. You of all people should be able to churn out an unbiased commentary.

SECOND GHOST
Am I? You went out into the universe, left to your own devices for quite a while before we met again. I often wondered what you got up to.

FIRST GHOST
Well, I was discovering that your theory of “situational morality” was arrant nonsense, for a start. Back at the beginning, I should have saved the girl. THAT is the sin I make amends for. The sin of listening to you when I should have done something – regardless of the consequences to myself. Any suffering I caused is because I kept letting you go free. For old time’s sake.

SECOND GHOST
Consequences don’t matter.

FIRST GHOST
So why are worried about me killing you?

SECOND GHOST
I’m not, Doctor. But you were. And that’s why you’re lost.

FIRST GHOST
Is it?

SECOND GHOST
You thought you’re in the wrong. You KNEW you were in the wrong.

FIRST GHOST
I didn’t think so, at the time.

SECOND GHOST
No one ever does, at the time.

FIRST GHOST
I don’t regret it.

SECOND GHOST
And THAT is what really worried you. Look inside yourself, Doctor, and tell me we aren’t the same. Deny it, if you can. We all have a place of darkness, Doctor, and yours is a little closer to the surface in this enfleshment. I saw the anger, the burning rage build inside you. So much more visible in this body. Blame a faulty regeneration, birth trauma, but we both know you are your own man and it’s part of you. No matter how painful that fact is.

FIRST GHOST
More games...

The Second Ghost is getting progressively more upset. The First remains calm.

SECOND GHOST
Games? You denounced my “crimes” and quickly dismiss your own.

FIRST GHOST
I took no pleasure in my “crimes”.

SECOND GHOST
You weren’t quite the hero you’d like to be.

FIRST GHOST
No. I’ve done things I regret and wish I could undo. But does that make me different from anyone else in the universe? Except you, of course. You stopped caring long ago.

SECOND GHOST
If you cared so much, why drag Miss Brown and all of the rest of your motley companions into such danger? You called me mad?

FIRST GHOST
You ARE mad.

SECOND GHOST
Am I?

FIRST GHOST
Totally and utterly.

SECOND GHOST
Your hands weren’t clean.

FIRST GHOST
Not as dirty as yours.

SECOND GHOST
But I won.

FIRST GHOST
So you did. It must be a novel experience for you.

SECOND GHOST
Not for long, Doctor. Not for long. With you out of the way, the universe is mine.

The First Ghost smiles at the Second.

FIRST GHOST
Be careful what you dream of, old friend. Dreams come true.

The Second Ghost looks away. Dissolve to:


42. EXT. WOODS (NIGHT)

The “Doctor” is in the same position. Peri stands a little behind him.

PERI
What’s up?

The “Doctor” shakes his head to clear it.

“DOCTOR”
Nothing. Come. The TARDIS is just down the hill.

They start moving down the hill.

PERI
You’re not exactly your usual suave, urbane self.

The “Doctor” does not reply.

PERI
What are you going to do now, then? Once I've gone home?

“DOCTOR”
You want me to reveal my whole dastardly scheme?

PERI
Well, I could wait for the paperback to come out. What are going to do?

“DOCTOR”
Nothing you could appreciate.

PERI
Try me.

“DOCTOR”
Your brain would not understand how awesome the power that I shall hold.

PERI
And you wonder why you don’t have any friends?

“DOCTOR”
Friends are for those too scared to walk alone. Human frailty. I seek something so much more powerful than that. Nothing will stand in my way. The civilizations of the universe will bow down before the great destiny that awaits them. But my destiny will be greater still. There will be no turning back, no salvation, no defiance.

PERI
Just obeying the Master, huh?

“DOCTOR”
Precisely. Once you have seen what I have seen, Miss Brown, once you have been to Hell you see how much more cruel reality is. The strong prey upon the weak. There is no God that cares for life, no guiding spirit to the universe. Just random, mindless chaos. Chaos that I shall end.

PERI
And replace with what?

“DOCTOR”
Order.

PERI
Order? That’s rich, you’re a monster!

“DOCTOR”
A monster? There are far more horrible things than I in this universe. And each and every one of them will be placed under my power. They will learn to obey. The cosmos is full of sheep who need to be herded as such. All of creation will kneel before its Master.

Smiling, the “Doctor” looks down at Peri.

“DOCTOR”
No doubt you’ve heard it all before.

PERI
Kamelion mentioned some of it. Oh, and this nice guy called Sharaz Jek had ideas in that direction. Plus some giant slugs, Cybermen, oh, and a Time Witch called the Rani. You remember her?

“DOCTOR”
Ah! The Rani! I must renew our acquaintance. A Time Lady of rare guile and devilish cunning. To return to my point, I shall succeed where they failed – and no doubt, they failed?

PERI
Every last one.

“DOCTOR”
The Doctor stopped them with his usual flair?

PERI
Sure did.

“DOCTOR”
But not this time. This time there is no Doctor to stop me. Is there?

Peri looks at him coldly.

PERI
You tell me.

The “Doctor” sneers and moves through some trees. The TARDIS is nearby, its low humming audible against the lonely moan of the wind. The “Doctor” starts patting down his pockets for his key. Peri “ahems” and takes the key chain from his waist coat. The “Doctor” snatches it back, then unlocks the doors. Peri rolls her eyes.


43. INT. TARDIS CONTROL ROOM (DAY)

The doors open. The “Doctor” enters with visible distaste, as though the place smells. Peri follows darkly. As the “Doctor” looks around, Peri automatically goes to close the doors when the “Doctor” grabs her hand.

PERI
Hey! I was just going to close the doors!

“DOCTOR”
No need, Miss Brown. I am quite capable of operating this ship on my own. Now keep clear of the controls... or you might be lucky enough to live to regret it.

Peri backs away from the console as the “Doctor” closes the doors and starts adjusting displays with disapproval. He starts tapping out at the computer monitor.

PERI
I thought you might need help. Thanks to your little stunt, all the TARDIS computers need re-calibrating – all the settings are at zero.

“DOCTOR”
Your rudimentary comprehension of the situation is a credit to you, Miss Brown. Now remain silent... This computer system is all in disarray. How did he ever manage to run this antiquated scrap heap?

He punches controls angrilly.

“DOCTOR”
Course update. Earth, the island of Lanzarote, June 20th, 1984. There you can return to your excuse for linear existence.

He grins nastily as he sets the controls.

“DOCTOR”
I don’t intend to return to this backwater again.

PERI
Where will you go instead? Telos should be pretty quiet this time of year, help you with your stress? Or how about a trip back to Sarn, I bet you’d get a great reception there.

“DOCTOR”
Perhaps another time. I was thinking of going home.

PERI
Gallifrey?

“DOCTOR”
You have been paying attention. I have unfinished business with the Time Lords. Yes, Gallifrey is where I shall make my throne. That would be appropriate. With the Time Lords under my control, I will be able to accomplish anything. A new campaign across the cosmos. And it all begins here.

The “Doctor” moves to the dematerialization, then frowns, swallows and blinks. He opens his mouth to speak, then doubles over, gasping. Peri doesn’t move.

PERI
What is it? What’s wrong?

“DOCTOR”
I... I...

He grimaces in pain.

DOCTOR
PERI!

He staggers back.

DOCTOR
Peri! Please! Quickly! Can’t hold him!

PERI
What can I do?

DOCTOR
Quickly! Panel three! Telepathic circuits!

Peri hurries around to the other side of the console. The Doctor slumps against the wall.

DOCTOR
Press the three... three green controls until they light up. Type in... type in the sequence... type it in!

PERI
What sequence?

DOCTOR
Alpha cubed... Sigma times x squared... quickly!

Peri taps at the keyboard furiously. The Doctor stiffens and straightens up.

PERI
Done!

The “Doctor’s” hand slams down on Peri’s shoulder, hauling her away from the console.

PERI
Hey!

“DOCTOR”
Quiet, human.

He peers at the controls.

“DOCTOR”
Well, well, well.

PERI
What?

“DOCTOR”
The Doctor’s last act of defiance. Set the telepathic circuits to scan his brain and remove anything not matching his recorded psychic matrix.

PERI
It’d get rid of you.

“DOCTOR”
It would. Not any more.

The “Doctor” starts operating the controls.

“DOCTOR”
Now, we simply reverse the polarity. Now anything matching the psychic matrix will be removed. You never did understand, Doctor. A pity you went to so much effort for such a small gain. But it’s over now. You broke the agreement and I don’t intend you to survive.

PERI
Don’t. Please.

“DOCTOR”
One last mistake. One mistake too many.

He sighs and speaks quietly.

“DOCTOR”
Goodbye, Doctor.

Peri charges the console. The “Doctor” grabs her and throws her to the floor. He snaps down a control and a shrill beeping fills the air, getting slower and faster randomly. The “Doctor” frowns in concentration, sways, then his eyes snap open, horrified.

“DOCTOR”
No!

Speaking is an effort. The noise gets louder. The “Doctor” cries out in pain.

“DOCTOR”
NO!


44. THE BEYOND (NIGHT)

The Master stands in the realm. He turns to face the Doctor, who is looking further up the tunnel warily.

MASTER
No, you can’t do this!

The Doctor’s eyes flicker to the Master. His voice is icy.

DOCTOR
Watch me.


45. INT. TARDIS CONTROL ROOM (NIGHT)

The “Doctor” staggers back, pressing his hands against his ears, writhing in agony.

“DOCTOR”
NO!


46. THE BEYOND (NIGHT)

A breeze is blowing, ruffling their clothes.

DOCTOR
"Dying is an art, like everything else." It's about time you got it right.

MASTER
You can’t kill me! I won’t let you! Not again!

DOCTOR
Consequences don’t matter, remember – this is the one fate we all share.

MASTER
Death? DEATH?

Suddenly, the Master grabs the Doctor’s lapels and shakes him violently.

MASTER
YOU HAVE NOT WON! You will die too, Doctor! Nothing will protect you from me! NOT NOW! NOT ANY MORE!

The Master slams the Doctor against the “wall”.

MASTER
Look into the face of DEATH, my oh-so-rational friend! LOOK AT IT AS WE PLUNGE INTO PERDITION TOGETHER! There is a Hell, Doctor! I’ve seen it! THERE IS A HELL! AND I WILL DRAG YOU THERE IF IT IS THE LAST THING I EVER DO!

The Doctor shrugs him off.

DOCTOR
Then you're going to be VERY disappointed!


47. INT. TARDIS CONTROL ROOM (NIGHT)

The Doctor continues to convulse, screaming.

“DOCTOR”
Pray that I die, Doctor! PRAY THAT I DIE!

Peri watches on in horror.


48. THE BEYOND

The Doctor shoves past the Master. The tunnel is filling with light. The Master stares at the building glare with horror.

MASTER
Because if I don’t, there isn’t ANYWHERE in the universe where you can be safe from me!

Whiteout.


49. INT. TARDIS CONTROL ROOM (DAY)

The pulsing ends. The Doctor falls back against the wall and slides roughly to the ground, face screwed up in pain. He shudders and convulses. Peri stays where she is, clutching the sonic screwdriver. The Doctor, panting and exhausted, groans.

DOCTOR
For old, unhappy, far-off things. And battles long ago.

The Doctor opens his eyes.

DOCTOR
The evil that men do lives after them. The good is oft interred with their bones. The Master hasn’t left this life forgotten. Much good that will do.

PERI
Doctor?

DOCTOR
You were expecting someone else?

PERI
How do I know it’s really you?

The Doctor blows out his cheeks and shrugs.

DOCTOR
He walked by himself and all places were alike to him?

PERI
You're not dead.

DOCTOR
No.

Peri gives a little cry of happiness and hugs him hard. He winces, makes a pained face.

DOCTOR
However, I am VERY sore.

Peri lets him go.

PERI
How come you’re still alive?

DOCTOR
Because I lied, Peri. When you pre-set the telepathic circuits, you were really setting them to eliminate me. So when the Master reversed the setting...

Peri sighs in relief as she understands.

PERI
He erased himself.

The Doctor takes the sonic screwdriver from her hand and starts tinkering with it.

DOCTOR
Yes. No more clever escapes, clever words, or clever traps... No more awakenings. No more pain. He really IS dead this time. Universe seems a bit smaller, somehow.

PERI
Are you going to be all right?

DOCTOR
Just a blinding headache. You?

PERI
Scared out of my wits.

DOCTOR
Back to normal then.

She playfully punches him. He winces. Peri sobers slightly.

PERI
What do we do now?

DOCTOR
Well, the Master was going to rendezvous with his TARDIS. Might as well send the poor thing back home. The Time Lords can always do with a spare. And that should allow our TARDIS time to recalibrate from all the strain of sorting things out. Besides, we better see how they’re getting on up at the manor.

The Doctor rises, then stumbles. Peri catches him.

DOCTOR
Thank you.

He reaches out and pulls the door lever. The doors open.

PERI
So he’s really gone for good this time?

DOCTOR
Forever.

He doesn’t sound happy.

DOCTOR
Pity. But the universe is still here, and it’s a wonderful place. Shall we explore it?

Peri nods and together they leave.


50. EXT. MEADOW (DAY)

The Doctor and Peri emerge from the TARDIS. The sun is rising in a clear blue sky, illuminating the surrounding woodlands. It is not the skeletal place of shadows before, and we can now see the verdant flora. Flowers are blooming, trees are swaying in the breeze. Birds are singing. Even the swamp looks more like a pleasant river. They look around, almost in wonder seeing what the woods look like in daylight.

Dissolve to:


51. INT. SALOON (DAY)

Sunlight streams in through the windows. Daniel’s peaceful face is caught in the sunlight. Standing nearby is Maurice, holding Tracey who is crying loudly. Emily gently covers Daniel with a blanket.


52. EXT. OUTSIDE THE MANOR (DAY)

Theo stumbles slightly as he moves down the steps, blinking in the sunlight. He lets out a deep sigh and takes the vial from his pocket. With a sudden violence, he hurls it at the gravel, shattering it and spilling its contents.


53. INT. HALLWAY (DAY)

Emily crosses over to where Pascoe is sprawled. She holds out her hand. Pascoe looks at her suspiciously, but takes her hand and manages to stand up. They exchange small smiles, as she puts his arm around her shoulders to support him. They gently move away.


54. INT. SALOON (DAY)

Maurice continues to hold Tracey, and is now crying himself.


55. EXT. OUTSIDE THE MANSION (DAY)

Theo, looking depressed, turns and realizes the Colonel is standing in the doorway, watching him, without expression. Then he smiles and stands to one side, indicating Theo should come back inside. Theo smiles gratefully and then enters.


56. EXT. MEADOW (DAY)

The duo stand a little further away from the TARDIS. The Doctor’s expression is thoughtful, then slightly sad. A hand touches his shoulder. Not startled, he looks down at Peri, smiles and puts his hand over hers. They walk forward, content and relaxed down the hill. It's wonderful. We watch them walk off after a moment, then...

(END OF THE ENEMY WITHIN)
(NEXT EPISODE: IN THE BEGINNING...)
(ROLL END CREDITS)


DOCTOR WHO
THE ENEMY WITHIN


THE DOCTOR Colin Baker
PERI Nicola Bryant
THE MASTER Anthony Ainley
THE COLONEL Michael Sheard
DANIEL Mark Elliot
MAURICE James Harvey
THEODORE Jon Wyman
TRACEY Carol Hawkins
EMILY Sally Harrison
PASCOE Dicken Ashworth
and
David Banks and Gavin Richards
THE GHOSTS

Written by EWEN CAMPION-CLARKE
Based on ideas by ROBERT HOLMES and JOSEPH LIDSTER

The Enemy Within XV

26. INT. MASTER’S ZERO ROOM (DAY) B&W

The Master, in his TARDIS, laughs and chuckles as he watches the scanner.


27. EXT. BASE OF TELESCOPE (DAY) B&W

The Doctor’s body lies sprawled between TEGAN, Nyssa and Adric. As they watch, the Doctor’s face blurs into that of a wraith like Watcher, then a new face, which blurs into the FIFTH DOCTOR, who smiles and sits up.


28. INT. MASTER’S ZERO ROOM (DAY) B&W

The Master controls his annoyance.

MASTER
So, Doctor. You have survived. But at what cost, I wonder?


29. INT. SALOON (NIGHT)

The family are kicking and knocking down the barricade. The Doctor and Peri back away as the Master closes in on them from the other direction.

DOCTOR
Master. We can settle old scores without hurting innocent people.

MASTER
This is not about the scores between us – this is about justice. Vengeance.

DOCTOR
Oh, so you’re giving up the mad plan to take control of the universe?

MASTER
The universe isn’t worth salvaging, Doctor. All that’s left is you.


30. EXT. THE DEATH ZONE (DAY) B&W

A grey sky over a windswept grassy plain. In a long cloak, the Master stands in a small meadow. A short distance away from him stands the Fifth Doctor.

MASTER
I know this is going to be hard to believe, Doctor, but for once, I mean you no harm.

FIFTH DOCTOR
Like Alice, I try to believe three impossible things before breakfast. Go on.

MASTER
I've been sent here by the High Council to help you. Be reasonable, Doctor.

FIFTH DOCTOR
I am. I listened.

The Master reveals he holds his TCE, aimed at the Fifth Doctor’s chest.

MASTER
As you see, I’m armed. I could easily kill you if I wanted to.

FIFTH DOCTOR
And not humiliate me first? Ooh, that isn’t your style at all.


31. INT. SALOON (NIGHT)

As before. The Doctor holds up his hands placatingly.

DOCTOR
Ah huh, you can’t kill us yet. Asphyxiation, matter compression, boredom after so much self-justifying claptrap about the universe owing you a living... you can’t do any of that yet. We haven’t seen the culmination of your work yet! You don’t want to us when there’s history in the making!

MASTER
Not this time.

DOCTOR
You’ll be saying “all good battles must come to and end” next.

MASTER
You truly believed I’d allow you to get away with what you did to me? You have been naive.

DOCTOR
Oh, I’m never naive. So you kill us? Then what? Complete and utter obedience as your slaves because everyone except you is weak and insignificant?

PERI
Guide the universe to a new tomorrow or destroy it utterly?

DOCTOR
That’s always a popular one. Uh, that’s close enough, thank you.

The Master continues to advance. The Doctor shrugs and flings out an arm. The Master’s head jerks, as if slapped, but keeps moving.

DOCTOR
Ah.

He tries again. The Master raises a hand and the Doctor is flung backwards.

MASTER
You never DO understand, do you Doctor? I am beyond your understanding, beyond your reach, beyond your comprehension. I am more than you can conceive. More than flesh. More than blood. More than you. And I have you exactly where I want you.

DOCTOR
Yes. So it seems.

The family advances through the wreckage towards him. Pascoe has an axe, the Colonel his pistol, Tracey clutches a golf club and Maurice a shotgun. Emily and Theodore both carry fencing swords. They circle the Doctor and Peri.

DOCTOR
Can I ask a question or do you want to make another speech?

MASTER
What?

DOCTOR
Why do you get up in the mornings?

Both the Master and Peri look at the Doctor like he’s gone nuts.

DOCTOR
I’m speaking generally.

MASTER
You’re speaking gibberish.

DOCTOR
Fluently. But I am serious. Why? What motivates you do ANYTHING at all? Leave aside all the psionic relays and telepathic download matrixes... you’re a ghost. You have come back from the dead. Why?

The Doctor advances on the Master, unafraid.

DOCTOR
What do YOU have to live for?

MASTER
Power.

DOCTOR
And that’s it? ‘Power’? That’s all you’ve got? Not friends, not family, not love, not passion, not curiosity... and you call yourself the Master? When you’re ‘the Master’ of precisely nothing. A stolen company TARDIS, a stolen body... and what? Nothing.

MASTER
Is that your best defense, Doctor? I should give up because I don’t have as many friends as you? Puerile. Pathetic. Predictable.

DOCTOR
You don’t FAIL to have friends, you don’t even try. You’ve cut yourself off from everything that makes this bleak plane of existence bearable. I mean, I can’t imagine what you do all day apart from wanting me dead.

MASTER
I am the Master.

DOCTOR
Yes, but of WHAT? What do you master, what do you control? What have you got to show for nine centuries, hmmm? You’re not a Time Lord any more. Not even Gallifreyan. In fact, you’re not even the real Master – just an echo of his death rattle.

MASTER
More than enough to carry out what I must.

DOCTOR
Yes, yes, kill me, conquer the universe. Then what?

MASTER
You won’t be around to experience it.

DOCTOR
Evasion, again. You don’t know, do you? Once you conquer the universe, what will you do with it? Destroy it after a few minutes? I mean, you’re not capable of running it, are you? And do you know why? Because you don’t CARE about anyone else in it! They can all drop dead for all it matters for you. So why do you want to take over someone you don’t want to have? Why not just pilot your TARDIS through a black star, away from everyone else. To be on your own, safe and sound.

The Master smiles.

MASTER
And what do you have to live for, Doctor? Peri? Is that it? An ape-descended girl who’ll die of old age before you get a gray hair? A human being that would go insane trying to comprehend what you and I take as fact?

The Doctor looks at Peri affectionately.

DOCTOR
She’s got a lovely smile.

PERI
Shucks.

The Master blinks.

MASTER
And?

DOCTOR
It’s more than you’ve got. More than you’ve ever had. Just give up and go into the light or whatever it is that lies beyond the Great Divide. I think your lonely, tortured existence is the universe trying to tell you something. That you’re not in the right.

MASTER
This not about right, or wrong. Just words. There is only power.

DOCTOR
And that’s something you don’t have, half-wit! That you never had! You never will have! Because, just to clarify matters, you are a ghost. A non-corporeal Gallifreyan. You’re dead. Demised. You have passed on. You are no more. You have ceased to be. You have expired but not gone to meet your maker. A late Master. A restless spirit. Bereft of life, but not resting in peace, you should be pushing up daises because it’s time to ring down the curtain and join the choir invisible. YOU... ARE AN EX... TIME LORD!!

A beat.

MASTER
Believe it or not, Doctor, I had noticed.

DOCTOR
I thought it best to make sure. You often miss the little things.

MASTER
Not any more.

He raises his hand and snaps his fingers.

DOCTOR
Quite right. I want to finish this.

Peri tugs on his sleeve.

PERI
Doctor...

DOCTOR
Shush. Our little game is over.

MASTER
So it is.

DOCTOR
No more tricks to play. No more promises. No more bolt holes deep enough for either of us to hide in and feel safe.

MASTER
Except one.

DOCTOR
Yes. I am willing to offer YOU mercy.

MASTER
“Mercy”?

DOCTOR
More than you can understand? Certainly more than you deserve.

The Master rolls his eyes.

MASTER
Get to the point.

DOCTOR
All right. You want a new body, a TARDIS, freedom to go out in the universe. I want you to leave the people and this planet alone. An accord can be reached.

MASTER
How so?

DOCTOR
Well, I am a Time Lord. Not too long in the tooth and have at least another handful of regenerations left. And between you and me, the physiognomy really is a dire improvement on the last few. Only one previous owner. Only ever used it on weekends.

MASTER
You’d lower your mental defenses? Let me take total control?

DOCTOR
My body, yes. And my TARDIS. On the condition you release these people and never return. After all, why would you be interested in this one insignificant planet when you’ve got the destiny of the whole universe to sort out?

MASTER
Your word on it?

DOCTOR
My word on it.

The Master smiles broadly.

MASTER
Ah. But I know how worthless your word is, Doctor.

DOCTOR
And I know from bitter experience that I can’t trust you. But you will notice Peri is holding my sonic screwdriver. It is keyed to her vital signs. Should she get too frightened, lose consciousness unexpectedly or be threatened, the screwdriver will register it and trigger a controlled burst that will fry the dematerialization circuitry of my TARDIS.

MASTER
Why should I care?

DOCTOR
You actually intend to stay on Earth if you get my body? Your TARDIS is out of reach at present – since you recklessly crashed it. You’ll need my WORKING TARDIS to get it back or be marooned here, in time and space, for good.

MASTER
And no doubt you wish Miss Brown to come to no harm.

DOCTOR
No doubt. The question is, can I trust you to keep your word? You are, after all, utterly insane.

MASTER
I consider myself reasonable. For a madman. I think we can come to some arrangement.

DOCTOR
You don’t understand me, Master.

MASTER
Oh but I do. I may be the only one who ever did.

DOCTOR
If you release these people, leave Earth in peace you get a Time Lord body, your TARDIS, your freedom. The idea of conquering the universe suddenly regaining its appeal? I don’t see anyone making you a better offer, Master.

PERI
This is crazy!

DOCTOR
This isn’t about winning, Peri. It’s about what’s right. I betrayed the Master all those years ago. I owe him. That’s all there is to it.

The Master shakes his head in disbelief.

MASTER
You really would, wouldn’t you. You are facing total soul-death for these primitives!

DOCTOR
That WAS the idea. Now. Release these people.

MASTER
Why? They’re just like me – they don’t feel anything, no guilt, no pain, no fear of anything any more!

DOCTOR
That’s why I want you to release them.


32. INT. THE MASTER’S TARDIS (DAY) B&W

Peri, AMYAND and the Fifth Doctor, crouch by a smooth black upright box with an open top. Inside is a green-lit control room laboratory in which stands the miniaturized, doll-sized form of the Master who has to shout up at them to be heard.

FIFTH DOCTOR
How does it feel to get a taste of you own medicine?

MASTER
I live, Doctor!

FIFTH DOCTOR
Albeit in somewhat reduced circumstances.

MASTER
I shall soon be restored – to profit from my research.

FIFTH DOCTOR
Ah, you were experimenting with the tissue compression eliminator?

MASTER
I was building a new – and more deadly – version. I increased its power a hundred fold!

FIFTH DOCTOR
You made it too powerful for your own good.

The Master shrugs it off.

MASTER
A small design problem.

FIFTH DOCTOR
And a very small Master. That’s why you needed Kamelion, isn’t it?

MASTER
I’ve lodged in the mind of that slave since our fateful meeting on Xeriphas!

The Fifth Doctor frowns, remembering.

FIFTH DOCTOR
That scream in the TARDIS... he even felt your pain.

The Master nods smugly.

MASTER
Mmm, and came instantly to my help!

The Master looks around the control box, excited.

MASTER
Now, with the next surge of numismaton gas, all is prepared for my supreme renewal!

AMYAND
Kill him, Doctor!

The Fifth Doctor glances at Amyand as if he’s talking gibberish.

AMYAND
What are you waiting for?

MASTER
Just as he waited for centuries!

The Fifth Doctor glares angrily down at the Master, but does not speak.

MASTER
Second-rank genius... crippled by moral scruples! How could the Doctor ever destroy ME?

AMYAND
By wringing your neck as if it were a rat or a snake. And if HE won’t do it, I will!

The Master realizes the relatively giant Sarn is serious.

MASTER
NO!

AMYAND
Out of the way, Doctor.

Amyand shoves the Doctor aside.

FIFTH DOCTOR
No, wait...

AMYAND
Don’t worry – I owe you a favor.

Amyand reaches into the box.

MASTER
NO!


33. INT. SALOON (NIGHT)

The Doctor and Peri watch on as the Master strides before the immobilized Fford-Joneses and Pascoe, like a general on parade.

MASTER
These animals that you’re trying to save have already fallen. Everyone has that little bit of darkness in them, and I am willing to acknowledge that. Compassion, love, what is the point of such emotions? Idiots like you preach about humility and selflessness, but such thoughts go against life kind's very nature. These creatures are animals, Doctor, and the law of the jungle is survival of the fittest, not survival of the nicest. They’re advanced enough for their own science to prove this!

DOCTOR
Yet they still fight to remain civilized! Their mutual love of Daniel will keep them going now he is gone, and he sacrificed his life out of love for all of them!

MASTER
You think this family is some kind of shining example of virtue! Look at the Colonel over there – he’s as dark and twisted as the rest, aren’t you?

The Master crosses to the Colonel and snaps his fingers. A look of horror crosses the old man’s face and he sags, starting to sob.

COLONEL
I didn’t mean it... I’m sorry... so sorry...

PERI
A-about what?

MASTER
The Colonel here is rich by the standards of England. His wealth came from a diamond mind he discovered during his army days. He butchered the native tribesmen who lived there, who would have made mining diamonds difficult. Hundreds dead – not in battle, not in self defense or even ideological conflict. Just slaughtered. And he was left with the diamonds. And now he is rich on the corpses of peasants who would most likely have helped him get the precious jewels.

COLONEL
I didn’t know! I didn’t know, I swear it. I gave more than half it to the neighboring tribes, I ensured they got title to the land...

MASTER
Not enough, Colonel! You have their blood on your hands!

DOCTOR
Leave him alone.

Amused, the Master snaps his fingers again. The Colonel freezes once more.

MASTER
Oh, Doctor, his conscience plagues him far worse than I could. That’s why I freed him from it. Let him loose. You want him to suffer this?

DOCTOR
If you take away that suffering, his freedom is nothing.

MASTER
Oh? I suppose you’d say the same about these loyal children of his? Au contraire, Doctor. Maurice.

He snaps his fingers. Maurice blinks and drops the rifle in horror.

MASTER
Please enlighten Miss Brown about that cyanide you tried to kill her with.

MAURICE
I... I didn’t...

MASTER
Oh, of course. That was me. But I didn’t give you the poison, you had it already.

He takes the vial from Maurice's pocket and studies it.

MASTER
What were you going to do with it?

MAURICE
I... we were... going to dust his shot glass with it.

MASTER
Your father’s shot glass. You were going to kill him.

MAURICE
Yes.

MASTER
Your own father. You were going to murder your own father to get his wealth.

Weeping, Maurice furiously shakes his head.

MAURICE
No...

MASTER
I’ve seen inside your heart, Maurice. Don’t lie.

MAURICE
I don’t want to kill him!

MASTER
You’ll still do it, won’t you?

MAURICE
It was Theo’s idea!

MASTER
And that absolves you from blame, does it?

MAURICE
No, but...

The Master snaps his fingers again. Maurice freezes, becoming impassive once more and Theo begins to shake, as if cold. The Master drops the vial into his hand.

MASTER
Well, Theo?

THEODORE
I... I don’t have to justify myself to you.

MASTER
But you do have to justify yourself to your father.

The Master points to the Colonel, who looks pained.

COLONEL
Please...

THEODORE
Yes. It was my idea.

The Master claps his hands. All the humans freeze.

MASTER
You see, Doctor? These people aren’t worth saving – they’re certainly not worth you risking oblivion on their behalf! The Colonel that murdered an innocent people...

He walks around the ring of family members, passing the Colonel, Theodore and Maurice.

MASTER
His conspiring sons planning to kill him...

Past Emily.

MASTER
...the unfaithful wife...

Past Tracey.

MASTER
...and the wife that simply doesn’t care! She drove her husband away.

Past Pascoe.

MASTER
The faithful servant, treated like dirt by those dependent on him.

The Master finishes beside the couch on which lies Daniel’s corpse.

MASTER
And last but not least, the pathetic weakling Daniel that ended his life – so desperate was he not to spend another second with this family. You almost have to sympathize. Who wants to live in this world of murderers?

The Master returns to the Doctor, who has his arms folded.

DOCTOR
They’re not murderers.

MASTER
Oh but they are. See it.

DOCTOR
See? You poor, blind fool. SEE? I see a man who made a mistake years ago, who did his desperate best to make amends and still feels guilty. He knew what he did was wrong and would change it back in an instant if he could.

MASTER
But he can’t.

DOCTOR
No. But sometimes that’s all that matters. The wish.

The Doctor turns to Tracey who stares blankly ahead.

DOCTOR
I see a young woman who did not how to deal with the fact her husband’s brain was possessed with a psionic parasite. And I know what Daniel felt about her, because his last words were tell me to relay his love to her.

He turns back to the Colonel, Maurice and Theodore.

DOCTOR
And as for this murder plot, I see a father who is ill. Who is drinking more and more. Not because of addiction, but because he has a disease. A fatal one. One that cannot be cured in this time and place. I see a father attempting to drink himself to death to spare his loved ones a long, drawn out agonizing demise. A man who wants his family not to suffer, even while he does.

The Doctor sighs and places his hands on Theodore’s shoulders.

DOCTOR
And that’s what Theo discovered. Isn’t it? It’s why you came up with this plot. Not a murder plot. But euthanasia. You wanted your father to die peacefully, not a drunken wreck. But neither of them had the ruthlessness to carry it out. It’s why Maurice was able to let Peri escape, why you couldn’t control Theo to the same degree. They’re not killers. They know it was wrong and I don’t believe for a moment they would have carried it out. Theo might be harder to read, but with that burden, who could blame his wife looking for something else.

The Doctor turns to Pascoe.

DOCTOR
And poor Simon Pascoe. Who CHOSE to work here. Who could live in a moment if he wanted to. He may hate the servant life, but he stays in this house, in that job, out of loyalty to his employer. Of course he wants something better, who wouldn’t? But he will not betray his ideals, or the people he works for. Who are important to him enough for him to swallow his discomfort and stay.

He turns once more to face the Master.

DOCTOR
When I look at this family, I see people motivated by love and I find that very hard to condemn. You’ll never convince me that these people – or ANY people - are not worth saying. If there is darkness in everyone then there must also be light. And light will always be worth preserving, no matter what the cost. If I die and they live, then it is enough.

The Master shakes his head in abject disbelief.

MASTER
You maudlin old fool. We truly are on different paths, aren’t we?

DOCTOR
Perhaps. Do you agree?

MASTER
Humanity is of no consequence to me, whether they live or die is incidental.

DOCTOR
Incidental? To what? Your frighteningly dull and destructive obsessions? Your obsession to rule and oppress everything around you? Do you agree?

MASTER
I agree.

DOCTOR
Can I trust you?

MASTER
Can I trust you?

DOCTOR
Fine. Release them all and I will lower the barriers.

The Master laughs.

MASTER
And thus rides Apollyon!

All the family scream and clutch their heads, collapsing to the ground. They continue to cry out and writhe for a moment, but one by one go limp as they pass out. Peri, holding the sonic screwdriver awkwardly, reaches down and examines the still form of Maurice.

PERI
What did you do? WHAT DID YOU DO?!

MASTER
Restored their sanity. As you asked. You never said it had to be painless. They will recover... with full recall of all that has happened tonight. Let’s see how much family love can take before they try to kill each other again?

He chuckles.


34. INT. SEISMIC CONTROL CENTRE (DAY) B&W

A massive industrial chamber, with a barbecue-style grille in the floor to one side. Behind it stands the Master’s disguised TARDIS. Placed on the grille is the control box. The flames surging up from the grille suddenly change colour. The Fifth Doctor and Peri stand by a control console, looking warily at the flames.

PERI
Is this it? Is this the surge?

The Master’s head rises over the top of the control box, then higher, followed by his body. The blue flame is stimulating his growth. As he continues to grow, he looks at the duo with malicious intent.

PERI
Oh no...

At that moment, the police box TARDIS materializes in the corner. The Fifth Doctor smiles happily.

FIFTH DOCTOR
Well done, Turlough! Quickly, into the TARDIS!

The Fifth Doctor, keeping his eyes on the Master, shoves Peri behind him.

PERI
But...

FIFTH DOCTOR
I can face him on my own, now go!

She runs over to the police box and scrambles. Inside. The Master is now back to his normal size. He chuckles menacingly.

MASTER
I shall come from this fire a thousand times stronger... to hound you to the borders of the universe.

The Doctor watches on, thinking furiously. Suddenly the flame splutters and changes colour, back the way they were. The Master stiffens and gasps. He points to the console beside the Doctor, speaking with effort.

MASTER
What have you done?

FIFTH DOCTOR
I re-injected the calorific gas back into the numismaton.

MASTER
Cancel the re-injection! Immediately!

The Doctor does not move, as if entranced. The Master struggles, but cannot leave the control box. The flames around him grow brighter and hotter.

MASTER
Cut the feed! DOCTOR!

The Doctor does not move, still staring at him.

MASTER
I’ll plague you to the end of time for this...

The Master cries out as the flames get higher and brighter.

MASTER
I’ve give you anything in creation! Help me! Doctor! HELP ME!

The Doctor stares at him, looking lost.

MASTER
Please, Doctor! PITY ME!

Sadly, the Doctor silently shakes his head. The Master looks so outraged, he for a moment forgets the pain around him.

MASTER
WON’T YOU SHOW MERCY FOR YOUR OWN ---

The fire turns to sheer white. The Master starts screaming, convulsing as he blurs out of focus and dissolves into the glare, leaving no trace he existed. The Doctor continues to stare at the raging pillar of fire. It is suddenly quiet. Then, still in a daze, he turns and walks unsteadily back into the TARDIS without looking back.

- to be continued...

Thursday, April 5, 2007

The Enemy Within XIV

7. INT. HALLWAY (NIGHT)

Peri moves cautiously down the corridor. She pauses by the open wardrobe. It contains a heap of junk, including a cricket bat. Picking it up, she weighs it in her hand, and then begins to move down the corridor. She pauses as she passes the staircase. There is no sign of the others.

PERI
Doctor? Doctor?

The battered Pascoe lurches out of the shadows. Peri lifts the cricket bat and swings it inexpertly at the injured butler, catching his wrist. He shouts in pain. Peri charges at him, forcing the bat under his chin. He is slammed against the wall, choking and struggling to push the bat from his throat.

PASCOE
God... damn... you...

Peri jabs the bat further into his neck.

PERI
Oh yeah? Your knife. You can have it back.

She raises the knife, until it is level with his face. Pascoe, foaming at the mouth, continues to struggle. Without changing expression, Peri slams the knife forward (we see nothing else). She then turns and walks off with the cricket bat. Pascoe’s body stays where it is, by the wall. A moment later the doors to the drawing room open, revealing pitch darkness and a strange moan of wind. The Doctor steps through and pulls the doors shut behind him, cutting off the mini gale. He looks surprised.

DOCTOR
You look rather uncomfortable up there.

We see what Peri did – stabbed the knife through the collar of Pascoe’s jacket, effectively nailing him to the wall. His weight pulls his jacket, which prevents his arms from reaching behind him and frees himself. He roars and spits, struggling to be free.

DOCTOR
You’ll forgive me if I don’t release you.

Pascoe laughs psychotically.

DOCTOR
As Peri seems to have been here recently, I best head off while the trail’s hot.

PASCOE
Just wait, Lord of Time. Just wait. There’s a big surprise coming for you. You won’t leave this house in mind, body or soul!

The Doctor gives Pascoe a dangerous look.

DOCTOR
Who said I planned to leave at all?

Pascoe falls silent. The Doctor strides down the hallway after Peri.


8. INT. PANOPTICON (NIGHT) B&W

The Pratt Master stands before a black monolith that has risen out of a dais at the heart of the chamber. The whole building is trembling. Rubble falls from the ceiling to crash into the mist that is blowing around the Panopticon. There is the sound of thunder. The Master is now standing straight, relaxed, voice stronger. Flashes of bright light emerge from the hatchway beneath the monolith. The Pratt Master runs his hands – now far more fleshy and healthy than before – over it’s surface.

PRATT MASTER
Rassilon’s discovery... all mine... I shall have supreme power over the universe! Master of All Matter!

He begins to laugh, mingling with the thunder and lightning. Through the smoke and rubble the Fourth Doctor can be made out. He dives onto the dais and struggles to hang on as the vibration gets worse and worse. The Pratt Master is unaffected, even cheerful.

PRATT MASTER
Doctor! My congratulations – you’re just in time for the end!

FOURTH DOCTOR
You’re insane! You’re insane, do you hear me? YOU’RE RELEASING A FORCE THAT NOTHING CAN STOP!

PRATT MASTER
Excellent talk – you can take it with you to your grave. Except none of you will need a grave.

The Pratt Master starts to undoes one of the two remaining cables connected to the pillar. The other two are already undone and causing the chaos around them.

FOURTH DOCTOR
If you undo that, you’ll die as surely as any of us!

The Pratt Master laughs and shakes his head.

PRATT MASTER
You can do better than that, Doctor, even in extremis. I wear the Sash of Rassilon!

FOURTH DOCTOR
YES! And the President was wearing it when he was shot down! THE SASH WON’T PROTECT YOU! IT’S DAMAGED!

The Pratt Master stares at the Doctor, horrified.

PRATT MASTER
You lie...

Instinctively, the Pratt Master turns to examine the sash around his shoulders. The Doctor lets out a sharp “Hah!” and immediately leaps up and tackles the Pratt Master, knocking him away from the Eye of Harmony. The two foes are fighting amidst the chaos as more masonry falls from the high ceiling and cracks splinter the ground...


9. INT. CORRIDOR (NIGHT)

Peri runs into a T-junction and heads left. The Plasmaton fills the corridor. In one misshapen claw is held a tin of yellow paint. In the other a paint brush. RETSAM is scrawled across the wall. It turns its face towards Peri and roars. She turns and runs back... straight into Maurice, who holds a shotgun casually over his shoulder. Both cry out in surprise, but Maurice calms sooner.

PERI
Maurice...

Peri becomes wary as she remembers he is nuts.

PERI
Where are the others?

MAURICE
Somewhere around. To be honest, I’m not quite sure at the moment. Dear, Peri. Dear, dear, Peri. You’ll never be happy... or comfortable... until you join us in oblivion.

Peri starts to back away.

PERI
I’ll take my chances.

MAURICE
You don’t know WHAT you’re missing! Imagine all the fun we could have, fun and games for ever and ever and ever! Failing that, I could always hack you to pieces with an axe. That’d be all right.

PERI
Why would that be all right?

MAURICE
It’d stop your heart beating. I prefer the quiet, so easier to think.

Maurice begins to stroll towards Peri, who continues to back away.

MAURICE
That’s the trouble with heart beats. Boom-boom. Boom-boom. You can’t get away from it. Follows you everywhere, like a bad smell. Even here, at home, on our own, I can hear it. Coming up from the floor boards. Boom-boom. Boom-boom. Boom-boom. Getting louder and louder... enough to drive a perfectly sane person crazy. Don’t you find?

PERI
Sorry, but I gotta go.

Maurice swings the rifle to cover her, annoyance bubbling over.

MAURICE
GOT TO. You have GOT TO go. Not "gotta" go. Speak English, girl, it’s the language you were taught! I know it sounds petty correcting English, but sometimes the instinct is irresistible. And I so dearly want to... correct you. Like the Dominus has... corrected the Doctor. Am I still being subtle here?

Peri holds up her hands.

PERI
No, no, you’re being crystal clear. But you’re fighting him, Maurice! That’s great, that’s so great!

MAURICE
Fighting the Dominus? The lady surely jesteth!

PERI
Daniel fought him. He destroyed your brother!

MAURICE
My brother... corrected himself.

PERI
You won’t correct me. I know you, Maurice. You’re irritating, unpleasant, cowardly and with the charisma of a Thoros Betan, but you’re not a killer.

MAURICE
Wrong! Time for correction!

He aims the rifle at Peri’s head. She takes a deep breath, trying to stay calm.

PERI
Ah, one problem you should correct first.

MAURICE
What?

PERI
You left the safety catch on.

She points. Maurice frowns.

MAURICE
Oh, no, I haven’t, have I?

He pulls the rifle up to take a closer look. Peri kicks out, smashing the rifle against Maurice's face and knocking him backward. She then swings the cricket bat against the rifle, knocking it out of his hands. She swings the bat again and Maurice slumps to the floor, losing consciousness.

MAURICE
Girls just keeping doing this to me...

He passes out.

PERI
Yeah, I’m sorry about that. Not much, but I’m sorry.

She skips over his concussed body and runs off.


10. INT. MASTER’S TARDIS (NIGHT) B&W

The Fourth Doctor stands, rather disoriented in a dark room marked with roundels. A grandfather clock stands to one side. A huddled figure sits at a bank of controls – a less emaciated, ironically more hideous version of the Master. The BEEVERS MASTER, who stares at the controls before him.

BEEVERS MASTER
Well, Doctor?

He rotates in his chair to look up at the Doctor, who looks back sadly.

FOURTH DOCTOR
Of course. The Master.

The Beevers Masters holds out his hands in mock hospitality.

BEEVERS MASTER
Welcome to my new ship.

FOURTH DOCTOR
I used to know an ancient remedy for mad dogs. I must look it up some time. Good library here, have you?

The Beevers Master rises and reaches out to a control.

BEEVERS MASTER
Unfortunately for you, you will NOT be using it.

The Fourth Doctor reaches out but the Beevers Master has already pressed a control. A sinister buzzing fills the room and the Doctor freezes in place.

BEEVERS MASTER
This whole domain is now keyed to my biological rhythms. If you move a muscle, you will be destroyed.

The Master hobbles over to the Fourth Doctor pats his outstretched arm comfortingly.

BEEVERS MASTER
You will find immobility endurable, Doctor. I speak from experience.

The Doctor cannot turn his to follow the Master, forced to maintain his pose.

FOURTH DOCTOR
I thought you were going to destroy me.

BEEVERS MASTER
That would be irrational – a waste of all the knowledge acquired over so many centuries. You spoke of my library, Doctor? I intend that you shall become part of it; your mind I shall deposit there.

He taps his rotten fingertips to his temples.

BEEVERS MASTER
As for your body...

The Beevers Master gives out a disturbing sigh.

BEEVERS MASTER
I am now nearing the end of my twelfth regeneration.

FOURTH DOCTOR
Then that is the end of a Time Lord.

BEEVERS MASTER
But NOT for the Keeper of Traken. With my new powers ANYTHING is possible!

He lets of a demented giggle and shuffles around behind the Doctor, gleefully stroking the Doctor’s greying curls.

BEEVERS MASTER
Yes... I shall enjoy full mobility again!


11. EXT. OUTSIDE THE MANOR (NIGHT)

Light shines from the windows, but the area is still and silent.


12. INT. UPPER LANDING (NIGHT)

The Doctor jogs into view, looking around, humming the jazzy tune to "Filmation Ghost Busters" to himself as he heads up the stairs. He turns a corner and looks to see Emily and Tracey standing there, as if listening. Theodore is trashing a bedroom, laughing wildly as he throws a suitcase out the door as it strikes an occasional table that collapses. He kicks an urn and it shatters.

TRACEY
What is it?

EMILY
There’s something else... in this house. With us.

Tracey grins the broad grin of madness.

TRACEY
Then let’s make it scream. And bleed.

A hungry-looking Theodore lurches out of the bedroom, grinning.

THEODORE
And die!

TRACEY
Oh yes. Don’t forget that.

The Doctor’s humming trails off and he backs away... only to bump into the Colonel, who smiles broadly at him and draws a pistol from his pocket. The Doctor turns and sees the other three gliding towards him with feral grin.

DOCTOR
Ah. Oh well, here we go again!

The Doctor turns and rushes back towards the women, who are taken by surprise. The Colonel takes aim and fires, but misses – in the sense the shot clips Theodore’s shoulder and send him crashing into a painting. Plaster is knocked from the wall. The Doctor grabs the women and throws them bodily towards the Colonel, who angrily knocks them aside. But the Doctor is already out of sight, racing along the corridor and down a flight of steps. The others run after him as we pan across to see the Ghosts standing beside the doorway. The Second Ghost has a smock and a beret, standing beside a painting on an easel. The words DOMINUS WHO WALKS ALONE AND ALL TIMES WILL OBEY seem to have been typed over the canvas until it is full. The Is have smiley faces above them. The First Ghost stares at it, then the artist.

FIRST GHOST
Your self-absorption borders on the pathological.

SECOND GHOST
Oi. I resemble that remark. What do you think of the bloodstains?

FIRST GHOST
Derivative.

The Second Ghost sighs and shakes his head.

SECOND GHOST
You wound me, Theta, you really do.


13. INT. SALOON (NIGHT)

Peri enters, singing softly to herself as she hurries over to the French Windows and starts shaking them, trying to get them out.

PERI
Some of them want to abuse you
Some of them want to be abused!!

She shakes the doors.

PERI
Come on! Stupid time friction!

The sound of running footsteps. Peri rushes to the gun-rack... and finds it empty. She snatches up the snooker cue and the cricket bat. She assumes a threatening posture as the door bursts open and the Doctor dives in, rolls, leaps to his feet and sways to regain his balance. He spots Peri and grins.

DOCTOR
There you are!

Peri can’t help but grin back.

PERI
Here I am! How are things?

A gunshot shatters a glass casing behind Peri’s head.

DOCTOR
Predictable.

They rush over to the door, close it and then start piling furniture in front of it.


14. INT. KEEPER SANCTUM (NIGHT) B&W

An old bearded man with long grey hair, Tremas reaches out to correct the hands of a grandfather clock which say four minutes to midnight. As his hand touches it, the sinister buzzing from before is heard. Tremas is transfixed. With difficulty he cries out for help as the front of the clock opens like a door.

TREMAS
Help... Nyssa!

The dark hooded shape of the Beevers Master emerges and circles the trapped Tremas.

BEEVERS MASTER
A new body... at last!

Tremas looks at the figure fearfully as the Beevers Master steps behind Tremas, mimicking his pose. Then, he seems to glide forward, becoming a transparent ghost that superimposes itself over Tremas. For a brief moment, the two forms glow brightly and then melt away, leaving the latest form of the Master standing there – his hair shorter, slicked back and darker, his body younger and clad in black clothes. The hand touching the clock is now encased in a black glove. Chuckling, the Master steps back from the clock.

ADRIC (VO)
You mean he’s taken OVER Tremas?

FOURTH DOCTOR (VO)
With the powers of the Keepership still lingering...

MASTER
A new body at last.

Amused, he steps into the clock and pulls the front closed. The clock vanishes from the corner of the chamber with a traditional wheezing groaning sound.


15. INT. LOGOPOLIS PHAROS CENTRE (DAY) B&W

The Master turns to face the Fourth Doctor, ADRIC and NYSSA as they enter the chamber. Nyssa brightens as she sees the familiar face and moves forward to embrace him.

NYSSA
Father...

The Fourth Doctor’s arm shoots out, stopping her from going further. He looks at the Master with undisguised disgust.

FOURTH DOCTOR
He’s not your father. Tremas is dead. Killed by him... The Master.

Nyssa stares at the black clad man, not quite understanding. She speaks in a horrified, lost whisper.

NYSSA
You... killed... my father... ?

The Master smiles affectionately at her.

MASTER
But his body remains useful.

He grins at the Fourth Doctor, who glares back.


14. INT. HALLWAY (NIGHT)

The family are struggling to open the door. Maurice, the Colonel and Tracey are hurling their weight at the door. Emily kicks it and punches the wall in a mindless frenzy. Looking around, Theodore has got a fire axe from somewhere and charges the door. The others barely manage to get out of the way before he swings the axe at the door, biting into the wood. Theodore hauls on the axe, struggling to pull it free for another attempt. As he does so, the others attempt to continue their separate attacks on the door.


16. INT. SALOON (NIGHT)

The Doctor is staring with intense concentration at his sonic screwdriver, which he is partially dismantling. Peri looks fearfully at the door as the pile of furniture starts to shake and tremble.

PERI
How long do you think that’ll hold?

DOCTOR
As the porcupine said to the tortoise, “as long as it can”.

PERI
We’ll be safe then?

DOCTOR
Does it matter? We won't be safe in the long run wherever we go. The Master’s shattered their minds, and he’s feeding off their energy. Once he’s drained them he can head for civilization and start again, shattering the minds of more people. The more energy he gets, the more people he can effect, the more energy for him to get and so on and so on and so on. As of tonight, the entire country, the whole world, in fact, it’s fair to say the universe is at his mercy.

PERI
This is the bit where you say “But”.

DOCTOR
Is it? Oh well, BUT we know what the Master is capable of, we’re incredibly clever, resourceful, fashionable and brave, so we are not going to be defeated. And the easiest way for the Master to defeat us to make us give up hope, strip us down to the very core of what we are and break whatever is left.

PERI
All right. So we don’t give up or surrender. What’re you doing to the screwdriver?

DOCTOR
Bit difficult to explain, Peri. Just...

He pulls out a cable from the screwdriver and ties it round Peri’s wrist.

PERI
What are you doing?

DOCTOR
It’s all part of the plan. By the by, Peri, I don’t actually like this coat.

Peri tries to keep up. The Doctor continues to tinker with the screwdriver.

PERI
Your coat?

DOCTOR
Yes. I don’t like to admit it, but... it’s not very nice is it?

PERI
Why are you wearing it then? I mean, apart from the fact there’s hardly anything else to wear nowadays?

DOCTOR
Because anything is better than what I wore before. Not just the cricket white, but the muted colours, all neat and random. Disgusting! I always faded into the background. But this, well, it clashes with everything in the universe, keeps me acknowledged. Why should I apologize for being a hero who saves the universe, hmmm?

Peri swallows.

PERI
Why are you telling me this now?

The Doctor shrugs, adjusting the head of the screwdriver.

DOCTOR
Nothing better to do.

PERI
You don’t think we’re going to get out of this, do you? That this is worse than all the other times and we won’t make it?

DOCTOR
The Master hasn’t taken over the universe. Not once. But it’s always the collateral damage that’s worst, the innocents who get stepped on when he reaches for godhood and fails. Well, not this time.

PERI
So we’re all right?

DOCTOR
Not we. You.

PERI
Me? Why me and not you?

The Doctor looks at her with absolute seriousness.

DOCTOR
I’m not innocent.

Peri doesn’t know what to say. The Doctor goes back to tinkering with the screwdriver.

PERI
I don’t care.

DOCTOR
Perhaps you should.


17. INT. PHAROS CONTROL CABIN (DAY) B&W

A small, cramped metal room lined with computer banks and screens and few narrow windows. One exit leads to the blue sky outside and a ladder. A hatchway to a gantry to the radio telescope directly outside. Between them stands a sandstone pillar, the Master’s TARDIS. The Fourth Doctor is grimly supervising a lash up of cables and lights. The Master re-enters from the hatchway. Distantly shouts and alarms can be heard.

MASTER
Well?

The Fourth Doctor is concentrating on the displays.

FOURTH DOCTOR
The data’s reached the CVE. It’s stabilizing.

MASTER
So it works. Congratulations, Doctor...

The Master holds out his hand to shake it. The Fourth Doctor automatically goes to shake it but whips his hand back at the last second as if refusing to touch it. The Master arches an eyebrow, but keeps talking without missing a beat.

MASTER
...I always knew you’d do it.

FOURTH DOCTOR
YOU did most of this.

MASTER
Ah, I was but a humble assistant, but I have learned a great deal. And now, I think it is time for you to go and explain the presence of your friends. There’s quite a hubbub outside.

The Fourth Doctor nods thoughtfully and, still looking at the Master with suspicion, heads for the exit ladder and prepares to descend. The Master thoughtfully looks out the window while removing his gloves.

FOURTH DOCTOR
Quite right. One mistake move now could destroy everything.

MASTER
I know that, Doctor. And it could happen so easily.

The Fourth Doctor freezes, turning to stare at the Master, who is fitting a walkman to a speaker lash up. He reenters the cabin.

FOURTH DOCTOR
What do you mean?

MASTER
The universe is hanging by a thread, Doctor. One inversion pulse down that cable and the CVE would close FOREVER.

He gives the Fourth Doctor a fearful look.

MASTER
Even a humble assistant could do it.

The Master reaches out to touch a control. The Fourth Doctor immediately lunges forward, but the Master’s TCE is already aimed at the Time Lord. The Master stabs a control and advances on the Doctor, forcing him back against the hatchway. The tape recording begins.


18. MODEL SHOT B&W

The radio telescope, the huge dish pointing straight up into the blue sky.

MASTER (DIST)
Peoples of the universe, please attend carefully. The message that follows is vital to the future of you all.


19. INT. PHAROS CONTROL CABIN (DAY) B&W

The Fourth Doctor looks up at the ceiling in disbelief as the laughing Master presses the TCE to his chin. The message plays in the background.

MASTER (DIST)
The choice for you all is simple – a continued existence under my guidance, or total annihilation. At the time of speaking the fate of the universe hangs in the balance, and the fulcrum of that balance is the Pharos Project on Earth...

FOURTH DOCTOR
Blackmail.

MASTER
Oh, no, Doctor! I’m merely reporting the state of affairs!

The Master looks out the window with a lustful excitement.

MASTER
I now have the power to save them... or destroy them.

The Fourth Doctor is staring at him, horrified and scared.

FOURTH DOCTOR
You’re mad... You’re UTTERLY MAD!

He makes a move for the controls, but again the Master blocks him.

MASTER
Back, Doctor! The proceedings must not be interrupted!

The Master slowly back over to the console, keeping the TCE trained on the Fourth Doctor. He begins to laugh with delight, at the funniest joke ever.

MASTER
It’s mine... The CVE... it’s all mine!

He continues to laugh louder and louder. The Fourth Doctor is calmer now.

FOURTH DOCTOR
Only while that cable holds.

He turns, pushes open the hatch and jumps out of the cabin, slamming the hatch shut after him. The Master looks up in surprise at this move, and then sprints for the hatch.


20. INT. HALLWAY (NIGHT)

Theodore swings the axe against the door, finally splintering a panel. He aims the axe at the splinter but is no longer able to control himself to such a degree. More by luck than judgement, he manages to strike the splinter on the third go. It grows.

COLONEL
You can’t hide in that rat’s nest for much longer, Time Lord!

TRACEY
Embrace the Dominus!

MAURICE
Or we’ll set the house on fire and we’ll ALL BURN WITH IT!

He bursts out laughing. Emily slaps him.

EMILY
Oh, shut up you pathetic heathen!

Maurice looks shocked. Then he turns and decks her unconscious in one explosive, violent move. He groans and rubs his aching hand.

MAURICE
Why didn’t I think of doing that earlier?

He giggles again, then trails off as the Master appears behind them.

MASTER
Enough of this foolishness.

All the others fall silent and stare him.

MASTER
The time has come. The cosmos has done its worst, but I have suffered. But survived. And I do no longer intend to suffer alone. The time has come for more aggression to be used. And who better for aggression than the beaten underdog?

Pascoe enters, wordlessly taking the axe from Theodore, and then brings it down on the weak spot, splintering the panel. Mechanically, Pascoe repeats the process.

MASTER
I am the Master. You will ALL obey.


21. INT. SALOON (NIGHT)

The Doctor is adjusting the cable to the screwdriver.

PERI
But the TARDIS will sort out the time friction and we can escape!

DOCTOR
The moment the time friction clears, the Master will be free as well. Even if he doesn’t come after us, that leaves everyone on Earth at immediate risk.

PERI
So what do we do?

DOCTOR
Adapt an old plan of mine.

PERI
Did it work last time?

DOCTOR
Sort of.

PERI
Sort of?

DOCTOR
I gave the Master a choice. Conquer the universe or kill me.

PERI
W-what did he choose?


22. INT. PHAROS CONTROL CABIN (DAY) B&W

The Master looks around the room desperately, then sees a bank of controls. Giggling, he very deliberately starts stabbing buttons. Around him there is a clang of servos and the cabin begins to vibrate. Grinning, the Master turns and looks out the open hatchway.


23. EXT. GANTRY (DAY) B&W

The Fourth Doctor is hurrying along the gantry, which is now starting to revolve, slowly at first but with gathering speed to tip him over. The Fourth Doctor holds onto the railings, then falls onto his stomach and shuffles forward. The Master watches, eyes wide with excitement as the gantry moves from forty-five degrees to fifty to sixty.

MASTER (VO)
Killing you ONCE was never enough for me, Doctor...

Now at the end of the gantry and almost lying on his side, the Fourth Doctor brings a heavy spanner down on the junction box. The Master watches as the gantry reaches ninety degrees. The Fourth Doctor twists, now sitting on a shelf that is still tilting. He hauls on the cable and nearly dislodges himself. One hundred. A hundred and ten. The Fourth Doctor rips the cable free, there is an explosion of sparks and the gantry rotates completely. The Fourth Doctor falls.


24. INT. PHAROS CONTROL CABIN (DAY) B&W

The Master disconnects a control panel, snatches it up and ducks behind his TARDIS, chuckling as he does so. Seconds later, the pillar vanishes from the control cabin.


25. INT. SALOON (NIGHT)

One of the armchairs blocking the door is shaken loose. The Doctor glances up at it, but continues to work on the sonic screwdriver.

DOCTOR
Not long now.

PERI
We can both get out of this! We coped with Hexagora, with Varos and the Cybermen...

DOCTOR
The Master is my responsibility, Peri. And I always accept my responsibilities.

PERI
You can’t just hand yourself over to him! He won’t stop just because you’re dead!

DOCTOR
Oh, I’m offering him much more than death. He and I are linked together now, from that neural energy stolen from me. Connected by invisible threads. Imagine what would happen if we both started reeling in those threads?

PERI
Bang?

DOCTOR
No.

PERI
Zap?

DOCTOR
No.

PERI
What then?

The Doctor shoves the sonic screwdriver into Peri’s hand. It is still linked to her wrist by the cable and now beeps softly.

DOCTOR
DONE! Yes! Now, this is important, Peri. No matter what, do not let go of the screwdriver. No matter WHAT. Am I being irrefutably clear on this subject, Peri?

PERI
Crystal.

DOCTOR
Excellent!

PERI
But this plan is...

DOCTOR
Don’t worry Peri. I know what I’m doing. No matter what happens, the Master won’t have much of a future. In fact, this way I can cheat fate! And there’s nothing I love doing more than cheating fate!

PERI
What fate?

DOCTOR
I never did tell you about Necros, did I?

PERI
Necros?

MASTER (VO)
I have made this future.

They both whirl to face the Master as he steps from the shadows.

MASTER
And this future is now.

Behind them, the door splinters apart. Pascoe leers through the gap, reaches in and unlocks the door.

- to be continued...